Shimmer, strike, and sing—enSRQ’s January program explores sound in its most elemental and tactile forms. Nina C. Young’s Sun Propeller spins solo violin lines through a prism of live electronics. Claude Vivier’s Learning fuses four violins, percussion, and tape into a mysterious sonic ritual. Shawn Allison’s world premiere, inspired by the surreal poetry of Russell Edson and written for enSRQ’s artistic directors, pairs violin and percussion in a vivid cross-disciplinary dialogue. Closing the night, Chris Cerrone’s Goldbeater’s Skin—for percussion quartet and mezzo-soprano Thea Lobo—alternates luminous melodic development with glittering rhythmic outbursts.